Sound design has become one of the central pillars of my creative work. Across theater and film, my process focuses on the relationship between emotion and space—approaching sound as a physical entity that helps establish not only the foundation of a story’s world, but also the feelings that are felt within the bodies of performers and audience members alike.

This dropdown menu encapsulates my sound design work—outlining my experience across theatrical productions, film projects, and collaborative creative work, and organized by their respective categories.

    • The Meowing Nuns (2026)

      Directed by: Hunter Abal

      Whitmore Theater

    • LANDS (2025)

      Directed by: Hunter Abal

      Broadwater Blackbox Theater

    • Danton’s Death (2025)

      Directed by: Hunter Abal

      California Institute of the Arts

    • The Dictator (2024)

      Directed by: Hunter Abal

      California Institute of the Arts

    • Drip (2024)

      Directed by: Morgan McDonald

      The Other Space

    • Herakles (2024)

      Directed by: Hunter Abal

      California Institute of the Arts

    • The Play that Goes Wrong (2023)

      Directed by: Alec Anderson-Carrasco

      California Institute of the Arts

    • Island of Servants (2023)

      Directed by: Christopher Akerlind

      California Institute of the Arts

    • Men on Boats (2023)

      Directed by: Genevieve Fowler

      California Institute of the Arts

    • Urinetown (2022)

      Directed by: Deborah Martin

      Berea Jelkyl Drama Center

    • Noises Off (2021)

      Directed by: Adanma Barton

      Berea Jelkyl Drama Center

    • Reminiscing (2026)

      Directed by: Sam Jensen

      Lead Sound Designer

    • I Don’t Own a Gun (2026)

      Directed by: Danny Souza

      Lead Sound Designer

    • Messy Lola (2026)

      CynCity Productions

      Assistant Sound Designer

    • Closer (2025)

      Directed by: Michael Ainslee-Diaz

      Composer

    • REMorse (2025)

      Directed by: Steven Ramos

      Lead Sound Designer

    • January 2024 - Present: ADR Recordist & Sound Engineer, California Institute of the Arts

      • Working directly with the talent, guest speakers, and industry professionals to deliver high quality recordings

      • Producing 200-300 recordings per week

      • Labeling and digital management of all recording assets

      • Studio management (i.e. cabling, storage, and maintenance of space)

      • Optimizing workflow in ProTools

Sound Design Gallery

Theatrical Works

  • The Meowing Nuns - March 2026

  • LANDS - September 2025

  • Danton's Death - May 2025

  • The Dictator - December 2024

  • DRIP - June 2024

Snippet from The Meowing Nuns

While theater is an incredible medium for storytelling, filming it often leads to either visual or auditory problems in the recording.

Attached is a slideshow of photos from the most recent show that I worked on. You will witness audio added to the background of the images to retell the scene as best as possible—capturing one of the most compelling moments from the show.

Enjoy and thank you for listening!